Group:
Javier Banuelos
Myong Choi
Josh Dunn
Thursday, March 31, 2011
Schindler House model
Here's how far I was able to get with the basic model of the Schindler House today. It still needs work, but it should go much quicker once the whole group gets started on it.
Group:
Javier Banuelos
Myong Choi
Josh Dunn
Group:
Javier Banuelos
Myong Choi
Josh Dunn
Dereck Seltzer - Associative mapping
Words: Identity, autonomy, alienation, history, digital vs analog, self-loathing, loss of ego - neglect, abuse.
Lexicon / mapping
Disassociation
Autonomy:
Lexicon / mapping
Disassociation
Autonomy:
Script and Historical/Background Information
Karen Lee
Pauline Mun
Esther Kim
Justine Kim
Last Scene
INT. DINNER TABLE- NIGHT
The scene will open with close up on Karen's eye. Zoom out, and show the setting of the kitchen.
Everyone in the house gets their own servings for dinner. Everyone sits down at the table waiting to eat. Justine gets up and goes out of the house to the storage to get wine.
(Enter title): 1920s-1930s
Alcohol Prohibition Era: Intention to reduce alcohol consumption by eliminating businesses that manufactured distributed and sold it.
Five historical background information that will be pointed out in the film.
History/Info of the house:
1. "system of interlocking garden-courts, flanked by living spaces that had open glass fronts.. adaptation of simple constructional technology to local environmental needs and possibilities... combination and exploitation is genuinely original"(Architecture III: The Exiles)
2. Archiecture: "two interlinking "L" shaped apartment... The four studios were originally designated for the four members..."
20's Era information:
3. "Flapper" illustration to indicate that it is based in the 20's.
4. hidden alcohol. Alcohol prohibition during the 20's
5. Background music: Jazz. Louis Armstrong, Bix Biederbeck.
Pauline Mun
Esther Kim
Justine Kim
Last Scene
INT. DINNER TABLE- NIGHT
The scene will open with close up on Karen's eye. Zoom out, and show the setting of the kitchen.
Everyone in the house gets their own servings for dinner. Everyone sits down at the table waiting to eat. Justine gets up and goes out of the house to the storage to get wine.
(Enter title): 1920s-1930s
Alcohol Prohibition Era: Intention to reduce alcohol consumption by eliminating businesses that manufactured distributed and sold it.
Five historical background information that will be pointed out in the film.
History/Info of the house:
1. "system of interlocking garden-courts, flanked by living spaces that had open glass fronts.. adaptation of simple constructional technology to local environmental needs and possibilities... combination and exploitation is genuinely original"(Architecture III: The Exiles)
2. Archiecture: "two interlinking "L" shaped apartment... The four studios were originally designated for the four members..."
20's Era information:
3. "Flapper" illustration to indicate that it is based in the 20's.
4. hidden alcohol. Alcohol prohibition during the 20's
5. Background music: Jazz. Louis Armstrong, Bix Biederbeck.
All material - Map, New Sketches.
Dereck Seltzer
The artwork proposed for the project is indexical in nature, the focus being on the objects in the power they/ it (the Schindler house) posses. The Schindler house is a Los Angeles Icon, and as such has the potential to provide a loaded subject from which to derive a boundless amount of material to work with.
It is from this point that I have found a place to personify my personal interest in the Schindler house. The objects and material portrayed in the work address the material and life forms found around - and functioning within the Schindler house.
This process however is taking too long - its time to just have fun and quit fucking around with concepts and thought.
The artwork proposed for the project is indexical in nature, the focus being on the objects in the power they/ it (the Schindler house) posses. The Schindler house is a Los Angeles Icon, and as such has the potential to provide a loaded subject from which to derive a boundless amount of material to work with.
It is from this point that I have found a place to personify my personal interest in the Schindler house. The objects and material portrayed in the work address the material and life forms found around - and functioning within the Schindler house.
This process however is taking too long - its time to just have fun and quit fucking around with concepts and thought.
Thursday, March 17, 2011
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